Augustin Hadelich, one of the most prominent violinists of our time, has recently released a new recording of Suzuki violin repertoire. This recording is a must-listen for anyone who loves the violin or has an interest in the Suzuki method.

For those unfamiliar with the Suzuki method, it is a music education method created by Japanese violinist Shinichi Suzuki. The method is based on the idea that any child can learn to play an instrument, given the right environment and teaching approach. The Suzuki method emphasizes learning by ear, repetition, and positive reinforcement.

Augustin Hadelich’s new recording of Suzuki repertoire is a testament to the enduring appeal of this method. Hadelich is a masterful performer, and his playing is both technically brilliant and deeply expressive. He brings a rare sensitivity and artistry to these pieces, elevating them beyond mere technical exercises and showcasing their beauty and musicality.

The recording includes selections from the Suzuki violin repertoire, including works by Bach, Vivaldi, and Handel. Hadelich’s performances are nuanced and sensitive, with each note and phrase carefully crafted to express the emotion and beauty of the music.

One of the standout pieces on the recording is Bach’s Partita No. 2 in D minor, particularly the famous Chaconne. This piece is a test of any violinist’s technical and emotional abilities, and Hadelich’s performance is nothing short of breathtaking. He navigates the complex harmonies and rhythms with ease, while also infusing the music with a depth of feeling that is truly remarkable.

Another highlight of the recording is Vivaldi’s Concerto for Two Violins in A minor. Hadelich is joined by fellow violinist Karen Gomyo, and the two create a dynamic and engaging performance. Their playing is perfectly synchronized, with each violinist bringing a unique energy and interpretation to the music.

Throughout the recording, Hadelich’s playing is supported by a superb ensemble, which includes members of the Los Angeles Philharmonic and the New York Philharmonic. The ensemble’s playing is sensitive and nuanced, perfectly complementing Hadelich’s virtuosic performances.

In short, Augustin Hadelich’s new recording of Suzuki repertoire is a triumph. It is a testament to the enduring appeal of the Suzuki method and the beauty and musicality of these timeless pieces. Anyone who loves the violin or has an interest in music education should give this recording a listen. It is a true masterpiece of violin playing and a must-have addition to any music collection.

Learn more from the Suzuki Association of the Americas: https://www.alfred.com/suzuki-violin-volumes-4-6/